Lafayette Art Association & Gallery
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100 Words and a Picture


There are many untold stories behind the art that hangs in our gallery.

I would say, equally as interesting as the art itself.


How about telling your story, its easy and people want to hear it.

100 WORDS AND A PICTURE – share something about yourself on LAA’s Blog
​
  • Member Statement/Profile: A little something about yourself and what inspires you to do art
  • ArtWork Story: Your process, the experience, or the deeper meaning behind a select piece of your art
  • Literary Art: Write prose or poetry that interprets or reflects a piece of your artwork

Don't wait to be asked: Send your submission by email to: info@lafayetteart.org

LAA Workshops

12/8/2022

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Literary Arts

11/4/2022

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This is Me - Reception

10/6/2022

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LAA's Five-Step Approach

8/20/2022

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President's Blurb: August 2020

8/11/2022

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LAA at its Best

6/1/2022

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Member Profile: Carol Stubbs

5/17/2022

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"Art illuminates our stories, and words illuminate our art."
​My friend and co-author Nancy Rust and I have written and published five books, including three picture books. We enjoy writing books about history and interesting people and animals.

​We are both members of SCBWI (Society of Children’s Book Writers and Illustrators), and through that, the Acadiana Children’s Book Writers and Illustrators. 
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​I am also a potter and longtime member of LAA. I love the flexibility and unpredictable nature of clay art. I like hand building and creating fanciful figures and shapes. I learned to work in clay from the late Betty Jean Tompkins, who introduced me to LAA. Through her I am a founding member of the Cracked Pot Friends, a group of potters who continue to inspire and encourage me.
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Kudos to LAA for encouraging creative talent in art and writing. Recently, my writing group collaborated with LAA to promote reading during Children’s Book Week. It was a wonderful way to showcase the link between art and writing, particularly in picture books, which are often where children first experience art. 

​Carol Stubbs
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Member Profile: Camilla Drobish

5/10/2022

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"I love outsider art, as well as the expressionist"

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I was obsessed with drawing and art from a young age. I drew pictures for years before starting to paint.
I’ve taken many workshops with numerous artist for many years but never had any formal training. What you see in my exhibits is the culmination of hours upon hours of trial and error.
 
My painting  “career” started with landscapes. I produced many bayous and swamp scenes with oak trees being my favorite subject with lots of Cajun cabins, ducks, and chickens.
 
After moving away from Houma, LA back to my childhood town of Lafayette, I branched out to floral abstracts and to figurative art.
 
I love outsider art, as well as the expressionists. Many of my paintings reflect these ideas.

Camilla Drobish


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Time of Day: Jason Hardy

5/5/2022

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​"Time of Day"

See that woman sitting over there?
Ghost white skin, jet black hair.
She always arrives after dark.
Just sits by herself in the park.
Yes, that one, under the oak.
Head tilted back. Having a smoke.
I once sat down next to her.
How long ago? I'm not quite sure.
I was much younger at that time.
When saying hello wasn't a crime.
I just inquired the usual way:
She looked pale. Was she okay?
She assured me she felt fine.
I declined a cigarette. I had mine.
I was a little startled when she smiled.
Her teeth were long. They looked filed.
Nonetheless, she was good company.
We talked for hours under that tree.
I won't tell you all the woman said.
You'll learn in time when you're dead.
Just this: "I get hungry this time of day."
I mumbled some excuse. I didn't stay.
She let me go. I was never sure why.
For whatever reason. I never pry.
I keep my distance. I prefer to wave.
I'm not quite ready for an early grave.
She waves back. She returns my smile.
But I know they weren't made by file.
Still, I'm drawn here. Are you not?
Tomorrow I'll take you to her plot.
I followed her home years ago.
It's in a cemetery you may know.
Unless you prefer meeting. It's up to you.
She's met so many. I've warned a few.
I'll rake my leaves while you decide.
If she's worth knowing. If I lied.
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Member Profile: Jason Hardy

5/4/2022

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“The Dreamer”
 
I draw dreams
One by one.
They linger
When done.
Most sit
Gathering dust.
It matters not.
Draw I must.
While I can
I will create.
Dreams come first.
Fame can wait.


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I suppose if I pinned myself down (which would be a lot to wrestle with) I would call myself an illustrator. Drawing has always been my favorite form of art. In the womb I kneaded an eraser. That’s a mild artist joke. I have lived most of my life in south Louisiana so I do enjoy creating images of wildlife, but I tend more toward fantasy images inspired by books I read or films I watch. I grew up in the 70’s/80’s which were the heyday of paperback cover art and movie poster art, so I’m sure I picked up on much of that as I got older. I do traditional media artwork rather than digital. I’m a lead-head.

My biggest influences were mainly the fantasy artists I admired and tried to emulate as I continued to illustrate: Frank Frazetta, Michael Whelan, Jeffrey Catherine Jones, N. C. Wyeth, Robert McGinnis, John Harris and many others. Illustrators all, who transformed words into images. I also enjoy pin up artists like Gil Elvgren. For obvious reasons, but also for the innocent nostalgia it invokes.
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I make art to tell tales. Which makes sense since I also enjoy writing poetry and an occasional story. I try to interpret what I read or watch in illustration form. It is frequently humorous or in caricature style. I tend toward YA or children’s art in many ways, but not exclusively.

Art means a lot to me. I have been viewing it or doing it all my life in one form or another. It helps ground me while at the same time allowing a much needed escape into fantasy that is often lacking in everyday life. Which, in essence, is what most artists strive for.
​
An illustrator. That’s me.

​Jason Hardy
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That stare from a blank canvas

3/31/2022

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“I tell you, if one wants to be active, one mustn’t be afraid to do something wrong sometimes, not afraid to lapse into some mistakes. To be good — many people think that they’ll achieve it by doing no harm — and that’s a lie, and you said yourself in the past that it was a lie. That leads to stagnation, to mediocrity…

You don’t know how paralyzing it is, that stare from a blank canvas that says to the painter, “You can’t do anything.” The canvas has an idiotic stare, and mesmerizes some painters so that they turn into idiots themselves. Many painters are afraid of the blank canvas, but the blank canvas is afraid of the truly passionate painter who dares — and who has once broken the spell of “You can’t.”

Life itself likewise always turns towards one an infinitely meaningless, discouraging, dispiriting blank side on which there is nothing, any more than on a blank canvas. But however meaningless and vain, however dead life appears, the man of faith, of energy, of warmth, and who knows something, doesn’t let himself be fobbed off like that. He steps in and does something…”
​
Vincent van Gogh

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Member Profile: Sue Karr Boagni

3/1/2022

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" I often use women, as subject matter, appearing in various environments and settings."
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I use acrylic and other water media on paper and canvas, in an abstract figurative style.  
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My creative expression uses layers of metaphor and symbolism to stimulate curiosity, provoke thought, and encourage further inspection. I often uses bold, clear, sometimes bright colors and themes are usually joyful in nature.

I've studied fine art at the University of Louisiana, Louisiana Technical School Adult Art Extension program, and many master workshops.
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President's Blurb: March 2022

2/28/2022

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Keeyawww,    February has gone by so fast. But, what a month it has been for the LAA!

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At the beginning of the month we had our 1st First Saturday Art Market for 2022. It was a special one involving several of our workshop instructors demonstrating their art. I would like to thank Margo, Cristy, Edward, Nicole, Oleaus, Ginger, Susan, and Bonnie. We got a lot of wonderful feedback from the event and also had great publicity from Al Hebert at KADN 15.

The second Saturday was also big for the LAA. For now, as an organization, the LAA is allowed to participate at Downtown Artwalk every second Saturday. At this event we’re focusing on demonstrations, passing out information about the organization, as well as informing the public of our upcoming exhibits and workshops. Edward DeMahy demonstrated pinch pots and Margo Baker demonstrated plasma cutting. It was a cold one, but we look forward to do this every month with new demonstrators and faces every month.

Wait...it gets even better with our engagement of the community. Every third Saturday of the month the LAA will now have a tent at the Horse Farm during the farmers’ market. This past third Saturday, Ginger Kelly and Margo Baker made Mardi Gras fans with children in the park. Let’s just say the kids and everyone loved it. With all of this going on, the LAA also has had walk-ins to see the photography exhibit, hosted several work-shops (some so full we had to sched-ule two days of workshops…Simone has been doing a great job for us), Margo Baker and myself have put up a student art exhibit at City Hall with some of our students. And Sue Boagni sold 2 large paintings from her Foyer showing. Things are looking so bright as we move forward to March.

So, the big question is, did I have time to create art? I did. Enjoy.

Your President of your LAA,
Dusty Reed  dusty@cajunpicasso.com

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Freeze Frame 2022

2/28/2022

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Check Out Who Won!

1/31/2022

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President's Blurb: Jan 2022

1/31/2022

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"I would like the members to feel like this is their organization."
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I begin by thanking our out-going President, Terry Palmer, for his many contributions to the LAA. His work with the LAA these past 2 years has kept us running and operating during these unprecedented times. I would also like to thank you, the LAA membership, for placing your confidence and trust in me to serve as your President.

For the past 2 years I have served as First Vice President, and I am ready to accept this honor in becoming president to continue our wonderful LAA history and build upon it. My main goal this year is to encourage the membership to become more involved. I would like the members to feel like this is their organization.

​For those of you who are already leaders, to reach out and encourage and mentor those who have a passion to move forward. I want to be someone who listens and inspires for all to create! And, together with the strong support of the new Vice Presidents, Margo Baker and Edward deMahy, we all will strive to MAKE A DIFFERENCE.

Your President of your LAA, Dusty Reed dusty@cajunpicasso.com 

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" La Peche" by Edouard Manet

11/27/2021

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"If I'm lucky, when I paint, first my patrons leave the room, then my dealers, and if I am really lucky I leave too."
Edouard Manet
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Fall 2020 Show Winners

11/13/2021

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Creativity: Just do it

9/29/2021

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Haiku poem by Guy Kilchrist
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President's Blurb: Sept 2021

9/6/2021

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​As I jot down these few words for my fellow LAA members, I’m enjoying the hard hitting beats and prophetic lyrics of Tom Petty and The Heartbreakers. Tom died too early with a lot more to say in his melodious way, but, he leaves us with his art for the ears. I’m sure that each one of his music creations is inspired by an event, an event that led to an emotional response of ear art. So here we are in September with emotions flaring from all sides and from a variety of events. From COVID to Hurricane Ida, we’ve run the obstacle course of emotional hurdles. It’s tiring, isn’t it? There is an oasis, a beacon of light out there to help take your mind off the turmoil. It’s your Lafayette Art Association. Join in the activities, go see what’s happening and participate in the exhibits. Your emotional flow will become positive.

The Eye of the Beholder exhibit is ending soon 9/18. If you haven’t seen this exhibit, it’s an exceptional show with sales of several pieces. With the end of this show, there’s the start of another - The LAA Fall Members Only Exhibit. Eye participants will need to remove their work during normal gallery hours, 9/22-10/2. Submissions for our fall show are also during this period. So, pick-up and drop off at the same time.

​Get your creativity flowing and pARTicipate! We’d love to see you and your work.

Terry L Palmer LAA President

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Eye of the Beholder 2021

9/6/2021

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ArtWork Story: Susan Chiquelin

8/13/2021

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​How “Water” Came to Be
"A wonderful thing about art is that its expression is as limitless as the medium available to produce it."
Art requires a willingness to learn and to experiment. I started out exploring art through ceramics. Then came basketry followed by experimentation in 2D art through encaustic mono-print making.  As each medium was explored, varied and creative work was produced.  

The production of artistic work for me involves research and workshop attendance where learning and experimentation is encouraged. A recent workshop I attended exposed me to printmaking with acrylic paint on a Gelli plate. 

Happily, “Water” was a product of that workshop.  
Susan Chiquelin
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Member Profile: Diane Baker

8/13/2021

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"I love experimenting by painting papers with different art media."
As a student I was interested in many subjects: art, anthropology, psychology, biology but the urge to create led to a Painting and Commercial Art Degree at Mississippi State University. To make a living, I have worked as a graphic designer/ illustrator for various businesses and environmental agencies over the years. It was working with environmental scientists that kindled my interest in the natural world. Birds, fish, leaves, trees, and animals often inhabit my work. 
I love experimenting by painting papers with different art media. Colored sheets of paper are made by crumpling paper, painting it, stamping it, printing words, and drawing on it. Afterwards I take these papers and assemble 3-D collages, sort of like making a paper quilt.
Textures are added by using twisted papers, sewing, incorporating found objects, and pieces of impressed polymer clay. Like a quilt, the colors and textures often become the most important element. I have also begun to incorporate words to create a cultural sense of place. A strong influence was my mother, who sewed, and saved fabric scraps and made over 100 quilts in her lifetime.
​Through the Acadiana Center for the Arts I also work in public schools as a teaching artist. I am adept at using computer programs, such as Illustrator, Photoshop, and InDesign as well as traditional media like ink, paper and watercolor.
Diane Baker
​dbakerdesign@bellsouth.net
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Member Profile: Bruci Gauthier

8/12/2021

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"​I have always drawn and produced objects with my hands using Mother Nature as my inspiration."
It was only after enrolling in a leisure learning pottery class in 1994 that I was introduced to the versatility of creating art using clay. Since then I have devoted my spare time to making pottery as well as drawing.
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​​To form a clay piece, I begin by throwing the clay on a wheel forming an urn or bowl or rolling slabs out for tiles. I then sculpt my nature inspired scene on each piece. After air drying the pieces are bisque fired. I may add a glaze to the piece or high fire it “au naturel” since I prefer the finished pieces to reflect the natural clay coloring.
 


When at my drawing desk, I do pastel portraits of pets using images supplied by the client, as well as landscapes and fauna using images I capture on vacations or just on my farm.
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Bruci Gauthier
St. Martinville, LA
bruciredrim@yahoo.com
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Member Profile: Ginger Kelley

8/11/2021

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​"Living in Louisiana has changed my focus and my art. I love the colors, nature and lifestyle of Louisiana."
Hi there!
​
I am a glass artist. My work is all about glass. I blow glass for some pieces. I also combine blown glass, fused and flame worked glass to create pieces. Functional or sculptural, my work has bold color, form and some fun. Enjoy!
I was born and raised in Northern California and relocated to Seattle in the late ‘80’s. The glass scene was very vibrant in Seattle at that time and still is. I worked with blown glass, designing and selling glass across the country, showing at the American Craft Shows, New York Gift Shows and in many galleries. 

​"Living in Louisiana has changed my focus and my art. I love the colors, nature and lifestyle of Louisiana. I still blow glass, and my work has expanded to glass mosaics and designing jewelry.”

​I also offer workshops at the LAA Gallery throughout the year.
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My art and work with glass has become a family affair. My son Jesse Kelly is a second generation glass artist in the Seattle area.

Ginger Kelly Glass Studio
Breaux Bridge, LA
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Location

Lafayette Art Association & Gallery
1019 Auburn Avenue (behind Abacus)
Lafayette, LA  70503
337-269-0363
Hours:  Tuesday - Friday  10:00am to 5:00pm
Saturday ​10:00am to 3:00 pm

Contact Us

Send Us an Email
www.lafayetteart.org
email: info@lafayetteart.org
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  • Home
  • About LAA
    • LAA Charter and Bylaws
    • Current Membership
    • Officers & Board
    • Gallery Exhibits/Venues
    • Artists in Residence
    • Rules/ Competitions >
      • Submission Rules
      • Art Analysis/ Judging
      • Tutorials/ Art Criticism >
        • Visual Elements
        • Design Principles
        • Compositional Elements
        • Interpretive Theories
        • Sculpture
    • Gift Shop
  • News/Events
    • Newsletters
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    • Main Gallery Events
    • Ongoing Classes
    • L'esprit du Métal
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  • Join
  • Member Portal
    • Member Login
    • Gallery Sitting Signup
  • Explorations
    • Member Websites
    • Gallery Exhibits >
      • Spring 2020 Exhibit
      • Eye of the Beholder 2020
      • 2020 Member Show
    • Member Art >
      • Theme "Red"
      • Theme "Circle"
      • Theme "Reflection"
      • Theme "Three"
      • Theme "Pattern"
      • Theme "Bugs"
      • Theme "Time"
      • Theme "SPACE"
      • Theme "PATRIOTIC"
      • Theme "PALS"
      • Theme "Self"
    • Web Links
    • Tutorials
  • Donate
  • LAABlog